One of the earlier images was a "crucifixion", and later there was a fake "nativity" (a balloon simulated the pregnancy), with a rather smooth-skinned but already bearded Christ-figure as baby. Is this an allusion to Terrence McNally's play "Corpus Christi" which I saw in Minneapolis in 2002?
Monday, June 04, 2012
Town DC's "Crack" satire stage show is a big pre-Pride hit
Saturday night June 2, 2012 and as an encore Sunday
afternoon, Town Danceboutique (“Town DC”) held a special “drag” (?) show called
“Crack”, an irreverent satire against conservative politicians and religiously
based sexual hypocrisy. It started
earlier than usual, around 9:30 PM Saturday, and the floor space “outfield” was
enlarged for more seats. There was even
an intermission. It lasted until about
11:20. So the dancing started earlier
than usual.
There was a big crowd early, and the parking lot filled
earlier than usual. One the dance floors
afterward, the crowd didn’t seem quite as large as usual; some people left
after the show ($10) for other places.
One of the earlier images was a "crucifixion", and later there was a fake "nativity" (a balloon simulated the pregnancy), with a rather smooth-skinned but already bearded Christ-figure as baby. Is this an allusion to Terrence McNally's play "Corpus Christi" which I saw in Minneapolis in 2002?
A "trojan horse" would follow soon.
One of the highlights of the show was the sacking of a
poster of Rick Santorum (with all his talk of the “common good” in his 2005
book “It Takes a Family” [Books blog, March 5, 2012), with a game of blind-man’s
bluff, played by members from the audience, who sprayed the poster while
blindfolded with chocolate cake batter to look like – you know what. One
attractive guy hit his mouth. The poster
read “A Better Amercia (sic)”.
Later the troupe performed a take-off on “Sister Act” (try “Salve
Regina” on YouTube here),
which I actually saw in New York recently (Drama blog, Dec. 1, 2011).
There was a spoof on actor Sacha Baron Cohen, who stars in the remake of "The Dictator". I've seen Charlie Chaplin's "The Great Dictator" (1940); I don't think I'll bother with the remake. Sacha can remain real hairy but only when he wants to be. He's quite capable of looking and acting girlish (call that gender-bending.) But, he's an actor and a "masculine". (This show demonstrated Rosenfels's idea of masculine polarity well.) There was also a spoof involving sympathy for homeless "ceramic animals".
There were plenty of artifices and virtual takes on “sensitive
areas”.
I thought about a silly commercial on ABC television station
WJLA Saturday morning (usually these get on CNN, too), for a handheld,
microwave-based “permanent” depilatory product called “No-No”, with male models
showing no shame for their limbs and chest. That innovative gadget didn’t
appear in the show, but it probably isn’t too far down the pike from the next
one. A hazard on a dance floor?
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